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Stephen Wadner Exhibit
February 2 - February 23Free
Art Center East is pleased to feature “New Works by Stephen Wadner” in the Main Gallery. “New Works by Stephen Wadner” will run from February 2 – 23, 2018 with an opening reception Friday, February 2 from 6-8pm.
In an era of increasing digitization, Union artist Stephen Wadner is paying homage to the analog world by making clocks out of found objects. Using items that wander into his life from post-consumer waste streams – thrift stores, garage sales, the recycling bin – Wadner transforms them from something discarded to something desired with calculated artistry. Clock-making is an old art form, one that is part engineering and part aesthetics, and it’s this combination that draws Wadner to it.
“I think about clock-making as a design problem more than an artistic problem,” Wadner said during a recent conversation about his upcoming show at Art Center East. “I start with items that I am drawn to for whatever reason, then ask myself, ‘I know I like this, now what can I do with it? How can I make this stuff look like it belongs together?’”
To answer those questions, Wadner employs a technique called associative thinking, with which he seeks out connections between the aesthetic elements, the nostalgic & cultural associations, and the less tangible charms of his selected materials. Wadner has a strong interest in design principles and brings his study of the subject to his artistic process. By paying close attention to the way things such as color, line, texture and shape enhance or detract from each other, he builds a conversation between them, one full of subtle cues to the viewer that add depth and cohesiveness to the finished piece. It’s harder to do than it looks.
Consider improv comedy, where a team of comedians perform a series of humorous skits without a script or even a basic outline. They begin by asking the audience for a word – something that happened to them that day, something they saw or ate. The audience shouts out a few options, a team member quickly selects one, and the show begins. The first person to think of something jumps to the center of the stage and initiates a scene based on that word. As they see opportunities to build on it, other team members join in, fleshing out the details (and, if all goes well, the comedy), sticking to the golden rule of improv: “yes, and.”
It’s basically forbidden for an improv comedian to jump into a scene and say “no.” Refuting or challenging the existing story kills the comedy, and the momentum. Improv of any sort (jazz, poetry, dance) is about building from what you have, not forcing it to be a certain way. The “yes, and” rule is just as valuable to the visual arts. Wadner’s associative thinking process uses the same principle – constructing a relationship between unrelated objects, capitalizing on their intrinsic qualities instead of bending them to his will. This requires Wadner to do a lot of close looking – peering beyond an object’s established identity to the shapes, textures, colors, and undefined characteristics lurking underneath what he already knows about it.
The result is a collection of highly original, polished, often whimsical clocks, each with a unique story to tell. Looking through Wadner’s exhibit, it’s fun to dissect and identify the different parts of each clock – like the 1950’s vacuum cleaner body and the speedometer joined together to create the piece, “Fast Idle” – as well as the more subtle artistry Wadner incorporates into his work.
“My goal is to make it look seamless. I’m happy with a piece when it looks like all of the parts make perfect sense together.”
Getting that result is integral to his design process. Half the art of Wadner’s clocks is invisible to the viewer. In order to create the facade of effortlessness he wants each clock to have, Wadner must devise fasteners and structural components that are, by their very nature, hidden. Part of the magic of his work, part of what makes the clocks look so “right,” is that Wadner leaves behind no evidence to remind you they were constructed at all. In this way, his timepieces become timeless: ticking away in a place that is as oblivious to its cast-away past as it is to its re-imagined present.
“New Works by Stephen Wadner” will be on display at Art Center East from February 2 – 23, 2018 with an opening reception Friday, February 2 from 6-8pm. The exhibit and opening reception are both free and open to the public. Art Center East is located at 1006 Penn Avenue in La Grande. Hours are Monday – Friday from 10am – 4pm, Saturday Noon – 4pm.
Registration cancellations & transfers must be made through Art Center East at (541) 624-2800 48 hours or more before the class start time. We cannot issue refunds or transfers for cancellations received after the 48-hour cutoff. Exceptions will be considered for medical or family emergencies. ACE will honor a refund, minus a $10 administration fee when the cancellation is made 48 hours or more before class start date. When a class is canceled due to low enrollment, we will issue a refund for all registration fees. ACE will contact you in the event of a cancellation.